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cookies only essential non-personally identifiable session cookies are used on this site. cookies are files stored in your browser to provide functionality. if all cookies are disabled this site might not work. ann started her career with training at the pioneering e15 acting school under the guidance of joan littlewood. since then she has worked solidly in theatre, television, film and radio, starting with "diary of a young man", a series written for her by john mcgrath and troy kennedy martin, directed by ken loach. her work spans drama and comedy and also includes direction, writing and teaching. ann has taught many of today’s leading younger actors through her involvement with respected drama schools and colleges including rada, the guildhall school of music and drama, e15 acting school, rose bruford, weekend arts college (wac), the london dramatic academy (the london campus of fordham university) and the jesuit university of new york. in 2016 ann was awarded an honorary doctorate of arts by the university of east london. you can watch her acceptance speech here. ann is a trustee of the unity theatre trust, patron of the sussex beacon, patron of trauma foundation south west, and patron of clean break. ann has two sons and lives in london. - awards and nominations honorary doctorate of arts 2016 - university of east london laurence olivier awards 2004 - nominee for best actress for her performance in through the leaves evening standard drama awards 2003 - nominee for best actress for her performance in through the leaves whatsonstage.com theatregoers’ choice awards 2003 - nominee for best actress for her performance in through the leaves independent on sunday 1992 - performance of the year for hecuba, by the independent on sunday newspaper pye television award 1985 - for the female who made the greatest impact on television for her role as dolly rawlins in widows susan smith blackburn prize 1981-82 - nominated for the susan smith blackburn prize for her co-written play "kiss and kill" television - television ann is perhaps best known for her role as cora cross in eastenders and for award winning role as the strong, vulnerable dolly rawlins in lynda la plante's widows, widows ii and she's out, which was written for her by lynda. in "gimme, gimme, gimme" by jonathan harvey the role of "miss twitch" was created specifically for her. ann has appeared in many of the most popular uk television series ranging from drama to comedy including z cars, the bill, french & saunders, the detectives, play for today. - television - productions eastenders 2011 - present bbc television series cast member as cora cross the many faces of dame judi dench 2011 bbc television green inc productions series 2 episode 2 as herself casualty 2009 bbc television, series 23 episodes "true lies", "someone to watch over me", "better drowned", "the price we pay" as margaret samson the bill 2008 directed by a. j. quinn for thames television "sins of the father" parts 1 & 2 as doreen fallon heartbeat 2007 directed by judith dine "only make believe" as iris grocott jane hall 2006 directed by euros lyn & sydney macartney as lillian tunnel of love 2004 directed by john henderson as rita eastenders 2001 as jane williams gimme gimme gimme 2000 directed by liddy oldroyd as miss twitch, created for her by jonathan harvey summer in the suburbs 2000 directed by david attwood for bbc television as mulligan the bill 2000 directed by john davies "zero tolerance" as val davies verdict 1998 as judge jane harrison harry 1998 directed by robert walker fro bbc television as mrs penrose qc supply & demand ii 1998 directed by warris hussein for la plante productions as caroline kavanagh qc 1998 directed by peter smith for carlton television as mrs justice addis in bearing witness alas smith & jones 1997 as dolly rawlins deep secrets 1996 directed by diarmuid lawrence for granada television as fran the detectives 1996 directed by graeme harper as superintendent simmons french & saunders 1996 directed by thalia wing for bbc television as herself and dolly rawlins she's out 1995 directed by ian toynton for cinema verity as dolly rawlins frank stubbs promotes 1994 directed by nick hurran for noel gay television as mrs laker the bill 1994 directed by jim goddard for thames television "the road not taken" as sue cooper mrs warren's profession 1992 directed by giles havergal for bbc television as mrs warren growing pains 1992 directed by michael simpson for bbc television as susie maigret 1992 as mme moncin in maigret sets a trap taggart 1992 as annie gilmore in nest of vipers the bill 1991 directed by aisling walsh for thames television "caring" as mrs. cook the bill 1990 directed by michael simpson for thames television "information received" as miss alexander casualty 1990 bbc television bergerac 1988 bbc television as lola betts in whatever lola wants widows ii 1985 directed by ian toynton for thames television as dolly rawlins you can't live on cake 1983 directed by martyn friend bbc television as mary simmonds widows 1983 directed by paul annett for thames television as dolly rawlins window sir 1982 directed by don leaver central television as morved blunt instrument 1980 directed by peter cregeen as miss grindley london weekend television fire 1980 directed by marek kanievska bbc television as the mother the prime of miss jean brodie 1978 directed by moira amrstrong for scottish television as miss michaels angels 1978 directed by marek kanievska bbc television as sister roberts a light that shines 1977 directed by marek kanievska bbc2 play of the week as mother killers 1976 directed by don leaver "the crumbles murder" as mrs. harrison crown court 1976 upstairs downstairs 1975 london weekend television within these walls 1975 london weekend television as kathleen marsh play for today 1973 directed by michael apted "highway robbery" as amenties officer talking to a stranger 1966 directed by christopher moran bbc television as mother as a young woman dixon of dock green 1966 as mrs stubbings thirty minute theatre 1966 friday night's the best night directed by peter duguid as pat the debussy film 1965 directed by ken russell always on sunday 1965 directed by ken russell as herself up the junction 1965 directed by ken loach bbc television as marie z cars 1964 directed by ridley scott bbc television as mrs. napier diary of a young man 1964 directed by ken loach bbc television as eileen rousseau 1964 directed by ken russell bbc television catch hand 1964 directed by michael simpson as helen woods that was the week that was 1963 the scheme 1963 directed by don higgins as country girl cora cross in eastenders dolly rawlins in widows and she’s out rita in tunnel of love miss twitch in gimme gimme gimme film - film throughout her career, ann has worked with many fine directors both in the independent film and mainstream sectors including ken loach (diary of a young man, up the junction), ken russell (rousseau, the debussy film, always on sunday), john schlesinger (yanks), just jaeckin (lady chatterley's lover), menno meyjes (manolete/the passion within/a matador’s mistress), and most recently the great terrence davies (the deep blue sea). - film - productions the deep blue sea 2011 directed by terrence davies as mrs elton some break 2006 directed by rob ryan red bee manolete/a matador's mistress 2006 written and directed by menno meyjes co-starring as doña angustias what's your name 41? 2005 directed by marcel grant shipwreck films starring as joanna castelloe tantalus: behind the mask 2001 directed by dirk olson and benjamin francis phelan pbs usa starring as hecuba, aethra, the nurse and herself man in a fog 1995 transatlantic films paper marriage/ papierowe malzenstwo 1992 directed by krzysztof lang mark forstater productions & zespol filmowy (pl) starring as phyllida friend or foe 1981 directed by john krish for the children's foundation lady chatterly's lover 1981 directed by just jaeckin london-cannon films co-starring as ivy bolton murder by decree 1979 directed by bob clark decree productions as jayne yanks 1979 directed by john schlesinger jlvc films the haunting of julia/full circle 1977 directed by richard loncraine paramount the deep blue sea 2011 as mrs elton directed by terrence davies titus 2010 as marina directed by charlie cattrell manolete 2006 as doña angustias written and directed by menno meyjes theatre - theatre since the 1960s, ann has starred in many leading theatrical productions in the uk and europe, and in the usa where she received great acclaim for her three roles (hecuba, nurse, aethra) in the royal shakespeare company's mammoth production of "tantalus". the plays summit conference (eva braun) by robert david mcdonald and guinevere (guinevere) by pam gems were written specifically for her. - theatre - productions a view from islington north arts theatre, london, 2016, by alistair beaton, stella feehily, david hare, mark ravenhill, caryl churchill, directed by max stafford-clark. the stock da'wa hampstead theatre, london, 2011 by david eldridge, directed by kathy burke. a thousand stars explode in the sky lyric hammersmith, london, 2010 directed by sean holmes british premiere innocence arcola theatre, london, 2010 directed by helena kaut-howson as frau zucker british premiere the house of bernarda alba nuffield theatre, southampton, 2009 directed by patrick sandford as bernarda romeo & juliet temple middle hall, london, 2008 directed by tamara harvey as the nurse angels in america uk tour 2007 directed by daniel kramer as hannah, and others • citizen's theatre, glasgow, 20 april to 12 may • northern stage theatre, newcastle, 16 may to 26 may • cambridge arts theatre, cambridge, 29 may to 2 june • lowry - quays theatre, manchester, 5 june to 9 june • the lyric theatre, london, 20 june to 22 july the wooden breaks the old vic london directed by wilson mylam as nelle big love the gate theatre, london, 2006 directed by melissa keivman as bella and eleanor whose life is it anyway? the comedy theatre, london, 2005 directed by sir peter hall as sister anderson through the leaves the duchess theatre, london 2004 southwark playhouse, london, 2003 directed by daniel kramer as martha, starring with simon callow the destiny of me the leicester playhouse, 2002 by larry kramer directed by simon callow britannicus the citizen's theatre, glasgow, 2002 directed by phillip prowse as agrippina intimate death national theatre studio directed by mick gordon tantalus the royal shakespeare company at: the barbican theatre, london, 2001- the denver center for the performing arts, denver, 2000 directed by sir peter hall & edward hall as hecuba, aethra and the nurse the road to mecca the manchester royal exchange theatre, 1997 directed by greg hersov as helen hamlet the citizen's theatre, glasgow, 1996 directed by phillip prowse as gertrude hecuba the gate theatre, london, 1992 directed by laurence boswell as hecuba the rivals the nottingham playhouse, 1992 directed by james mcdonald as mrs malaprop mrs warren's profession the citizen's theatre, glasgow, 1990 directed by giles havergal as mrs warren steel magnolias first national uk tour, 1998 directed by roger haynes divine gossip the royal shakespeare company, london, 1987 directed by barry kyle as frieda lawrence heresies the royal shakespeare company, london, 1986 directed by susan todd the comedians the liverpool everyman theatre, 1985 as ella walters edward bond's the war plays the royal shakespeare company, london, 1985 directed by edward bond & nick hamm as the woman (i/ii/iii) mary stuart the citizen's theatre, glasgow, 1985 directed by phillip prowse as mary stuart downchild the royal shakespeare company, london, 1984 directed by bill alexander the way of the world the citizen's theatre london season at the greenwich theatre, 1984 directed by giles havergal as mrs marwood the white devil the citizen's theatre london season at the greenwich theatre, 1984 directed by philip prowse as cordelia a matter of life and death the royal national theatre, london, 1983 directed by di trevis mary barnes the royal court theatre, london, 1979 directed by peter farago as brenda live like pigs the royal court theatre, london, 1978 by john arden directed by philip hedley guinevere the soho poly theatre, london, 1978 directed by susan todd as guinivere written for ann by pam gems rosa the soho poly theatre, london, 1978 directed by susan todd as rosa luxembourg summit conference the citizen's theatre, glasgow, 1978 directed by phillip prowse as eva braun written for ann by robert david macdonald semi monde the citizen's theatre, glasgow, 1977 directed by phillip prowse as inez what the butler saw the crucible theatre, sheffield, 1977 directed by sara pia anderson as mrs prentice ashes the young vic, london, 1975 by david rudkin directed by ron daniels as mrs. jones/nurse/valerie/receptionist/jennifer titus andronicus the round house theatre, london, 1974 directed by keith hack as tamara rock garden the traverse theatre, edinburgh, 1973 directed by robert walker sara b divine the jeanetta cochrane theatre, london, 1973 directed by robert walker as sara bernhardt orpheus descending the watford palace theatre, 1972 directed by stephen hollis ladies in retirement the watford palace theatre, 1972 directed by peter watson as sister theresa the baccae the watford palace theatre, 1972 directed by robert walker the erpingham camp the watford palace theatre, 1972 directed by ian mckellen as lou don juan the watford palace theatre, 1972 directed by stephen hollis as mathurine private lives the citizen's theatre, glasgow, 1972 directed by robert walker as amanda a taste of honey the citizen's theatre, glasgow, 1971 directed by keith hack as helen a cool million the citizen's close theatre, glasgow, 1970 by nathaniel west directed by robert walker as betty prail the cenci the citizen's close theatre, glasgow, 1970 by antonin artaud directed by robert walker as beatrice mother courage the citizen's theatre, glasgow, 1970 directed by robert walker as mother courage the hero rises up the round house theatre, london, 1968 written and directed by john arden & margaretta d'arcy as lady hamilton party london, berlin and european tour 1967 you'll come to love your sperm test the hampstead theatre club, 1966 written & directed by john antrobus the recruiting officer uk schools tour, 1964 by george farquhar as sylvia twelfth night uk schools tour, 1964 by william shakespeare as viola & sebastian a view from islington north as ayn rand in ayn rand takes a stand by sir david hare, at the arts theatre, london, 2016, british premiere, directed by max stafford-clark the guardian - michael billington: “magnificently played by as a throaty, entrepreneurial mae west”. what’s on stage - alun hood: “hare's writing is exquisite - playful, trenchant, frequently hilarious - and he is exceptionally well served by whose barnstormingly extravagant performance as rand is the stuff that theatregoers' memories are made of.” the stage - mark shenton: in hilarious, outrageous form as the russian-born novelist and political operator of the title.” the independent - paul taylor: “'s magnificent performance, is an hilarious/terrifying monstre sacree of ruthless seductiveness, accoutred as if for dynasty.” the sunday times: “’s magnetic turn as rand – zealous, kittenish, cackling – saves the evening: ‘what’s wrong with you people?’” time out - tom wicker: “it’s worth it for ’s gloriously batty performance as rand.” the arts desk - aleks sierz: “a fine performance by as ayn, complete with a maniacal laugh. “ total politics - sebastian whale: “brilliantly portrayed by .” book tickets for a view from islington north at arts theatre london a thousand stars explode in the sky as margaret at the lyric hammersmith, london, 2010, british premiere, directed by sean holmes 2010 - what's on stage : “a magnificent ". the observer - susannah clapp : “a thousand stars is lit up by an important actress: 's matriarch makes most stoics look like wimps”. the guardian - michael billington: “impeccably acted. unforgettable: as the tough matriarch.”. the times - benedict nightingale : “it's about 's margaret, the family matriarch, and her accusing, loving, guilty, possessive and hopeless relationships with sons”. the independent - paul taylor: “beautifully acted. in a lovely, largely wordless sequence 's fiercely repining matriarch tenderly bathes the naked, dying william." innocence as frau zucker at the arcola theatre, london, 2010, british premiere, directed by helena kaut-howson 2010 - the guardian - what to see: lyn gardner's theatre tips : “innocence at the arcola is by german writer dea loher, translated by david tushingham and with leading the cast – always a good sign." - the independent - rhoda koenig - theatre & dance: “loher's liveliest character is also her most decrepit and appalling. gobbles up the part of a diabetic who gleefully torments her daughter and son-in-law – "hello, franz. still unemployed?" – chattering about her amputated limbs and dreaming of blowing up petrol stations." - the times online - benedict nightingale - theatre: "loher creates some striking characters...there’s ’s self-obsessed, self-pitying frau zucker, who weirdly dreams of burning down petrol stations while using her diabetes to manipulate her hapless daughter-in-law: “i don’t want a grandchild — you can do that when there’s nothing of me left to amputate.” - curtain up - lizzie loveridge : “there are outstanding performances from who is brilliant as the sour, inconsiderate, crusty old woman...the ghastly frau zucker, whose foot is being eroded by diabetic foot disease." the house of bernarda alba as bernarda at the nuffield theatre, southampton, 2009, directed by patrick sandford 2009 - the guardian - lyn gardner” “…best of all, though, is 's superb bernarda alba, who presides over her daughters like a malevolent mother superior. as polished and shiny as her own furniture, mitchell is a genuine black widow, a husk of a woman who puts pride and honour before love and generosity, and who is so out of touch with her own heart that she ignores all signs of the coming disaster, content to rule her house with her eyes wide shut." - the sunday times - david jays: ”…bernarda’s vicious respectability makes her a domestic franco. motherhood becomes a process of withering repression: her first and last words here are “silence!”. makes a lethal tyrant, eyes in the back of her head and a smile as thin as razor wire." photograph by mike eddowes romeo & juliet as nurse at middle temple hall, london, 2008 for the 400th anniversary, directed by tamara harvey 2008 - the times - sam marlowe: “…the confrontation between ’s curvily formidable nurse and romeo and his saucy cohorts is priceless; they teasing her with a combination of charm and cheek, she quelling their antics with a gimlet eye and walloping her hapless servant with her elegant clutchbag." - what's on stage - kathleen hall: “…the play is delightful, with some stand out performances from juliet rylance as juliet and as the nurse exuding a comically domineering maternal presence over juliet and the young capulets and montagues who cheek her.”: - the london paper - alex johnson: “…but ’s fishwife nurse steals every scene." photograph by marylin kingwill angels in america as martha at the lyric theatre hammersmith, london, 2007, directed by daniel kramer 2007 - what's on stage - michael coveney: “…a surrounding panoply of ghosts and angels – played by the riveting ... creates a heady mix of other-worldliness." - scotland on sunday - mark fisher: “…with a compact cast of eight - including citizens' and rsc favourites greg hicks and - and the ambition to take the spiritual temperature of a nation, the show is one very big deal." "if you want a masterclass in acting and stagecraft, not to mention the joy of a thrillingly ambitious piece of writing, clear your diary for angels in america...with a flawless cast of eight compels you to savour every minute... "you don't make assumptions about me, mister; i won't make them about you," says 's mormon matriarch to the homosexual prior walter in a liberating challenge to prejudice." - the herald - neil cooper: “…all eight actors excel, from 's series of matriarchs...be they black, gay, jewish or, even, right-wing republican mormon. common ground comes through each character's hyper-articulate ability to chase their own tails en route to finding out who they are and where they belong. the world's search for faith was ever thus." whose life is it anyway? as sister anderson at the comedy theatre, london 2005, directed by sir peter hall the british theatre guide - philip fisher : “…in the hospital scenes, one of several award-winning actors on show, , has given a nice portrayal as the grim hospital matron with a heart of gold and well-hidden sense of humour. william chubb is the nervous senior doctor bearing deep religious scruples and they, together with alexander siddig and jotham annan, help to ensure that the production has real humanity and wit. through the leaves as martha at the duchess theatre, london 2004 and the southwark playhouse, london, 2003, directed by daniel kramer laurence olivier awards 2004 - nominee for best actress for her performance evening standard drama awards 2003 - nominee for best actress for her performance 2003 - financial times - b alastair macaulay : “as martha, a tough middle-aged self-employed butcher in through the leaves, delivers a remarkable performance. she shows you the vulnerabilities that martha herself scarcely knows she has...the play is set in her shop and in her back room, and during its 100 minutes she scarcely leaves the stage. but otto comes and goes. in otto's presence, she is almost casual, scarcely affectionate. once out of the room, however, she leans her head on the wall, her whole body showing her desire for him, one hand miming his shape and gently feeling his genitals. at other times she recites her diary entries: tenderly blunt, revealingly terse. " - guardian unlimited - lyn gardner : “ is quiet and raw. everything is internalised. it is an x-ray performance that lets you peer into martha's lonely, yearning soul. it is a fantastic play, and it is terrific to see the west end embracing something worthwhile." - the stage - barbara lewis : “ simon callow has been lured from the big screen back to the fringe by a fresh chance to act with friend and eminent character actress in franz xaver kroetz's masterpiece of inarticulate eloquence. it is an inspired decision. it depicts a coarse-textured affair between otto (callow) and martha (mitchell). it is a commentary on every relationship. gutting a rabbit, scrubbing down her shop, mitchell is every inch the professional butcher. martha has well-founded pride as a business-woman who craves affection but can survive without it. most effective is the device of martha reading aloud her diary, complete with punctuation. "is a big romance still possible when you're past 50. question mark," she asks, rhetorically. " - the guardian- michael billington: “ is just about perfect as martha. the set of her features and her slightly turned-down mouth suggest a woman conditioned to solitude - yet she always implies martha's vivid inner life, and flares wonderfully into skittishness when she goes to a fancy-dress ball as a black-bonneted eliza doolittle...the performances, like the play itself, remind you that theatre is never better than when it conveys the texture of reality." - time out - dominic maxwell : “ totally convinces as martha, by turns doughty and vulnerable, dryly witty and sensible, yet always utterly credible. acting doesn't get much better than this." - the independent - paul taylor : “ is pretty much perfection in this deeply eloquent revival...she plays – and brings out all the inner beauty of – martha, a plain, self-employed tripe butcher (and there aren't many of those roles in the female repertoire) who, in her lonely fifties, starts an affair with otto, a boorish, chauvinist, and slightly younger factory worker, ripely embodied by simon callow." tantalus as hecuba, aethra and the nurse at the royal shakespeare company, at the barbican theatre, london, 2001 and world premiere at the denver center for the performing arts, denver, 2000, directed by sir peter hall & edward hall 2001 - the spectator - patrick carnegie : “ is outstanding as hecuba..." - 2000 - daily telegraph - john whitley : “…tantalus remains a substantially british production, four of his leading actors are distinguished stalwarts of british drama..., the star of itv's widows, is hecuba." - - talkinbroadway.com - rodney anderson : “my particular favourites were... as hecuba, the nurse, aethra. 's hecuba who refuses to accept her fate was formidable and terrifying before and after the war. you wouldn't want to mess with her." - the north county times - bill fark : “ is impressive...a standout as hecuba and nurse..." - denver rocky mountain news - mike pearson : “…while offers the show's most emotionally explosive moments as hecuba. her descent into madness sends chills down your spine that still linger the following day." - chicago tribune - richard christiansen “ ignites the stage as the ferocious matriarch queen hecuba..." - - los angeles times - michael phillips - “part three "the homecomings", is dominated by 's enslaved queen hecuba ..." - san francisco examiner - robert: “…'s imperious queen hecuba." - the times - benedict nightingale : “'s hecuba, a ferocious baglady who is bloodstreaked, tongueless and madly barking like a dog..." - the guardian - michael billington : “'s towering hecuba..." - daily telegraph - charles spencer : “the acting is outstanding... reaches the very heart of suffering as hecuba..." the road to mecca as helen martins at the royal exchange theatre, manchester, 1997, directed by greg hersov 1997 - the express - gerry dempsey : “… is magnificent as helen, ascending from quaking fear ("the darkness is inside and i can't light candles in there") to blazing assertion of the individual's ultimate freedom, the right to be herself…” - the express sunday - alex lindsay : “ is superb as helen martin...if ever a play was performance-driven, this is one. , as helen, this gentle, twitchy old lady with her bird-like fragility, summoning a hidden all-conquering strength from out of nowhere." - the guardian guide - lynn gardner : “…stars the excellent as the woman whose home, which she turned into a work of art, has now become one of south africa's national monuments." hamlet as gertrude at the citizen’s theatre glasgow, 1996, directed by philip prowse 1996 - plays international - cordelia oliver : “heavy dark structures, set at angles, descend and ascend in different formations on a stage which is built out slantingly across the auditorium ('walls have ears’)…the scene with 's gertrude was as believable as i can remember. likewise the scene with the players and the whole of the play within the play." hecuba as hecuba, at the gate theatre, london, 1992, directed by laurence boswell independent on sunday 1992 performance of the year for hecuba, by the independent on sunday newspaper 1992 - the observer - michael coveney : “maternal grief gives way to avenging madness and mitchell's supercharged journey through naked grief, ribald sarcasm, glinting malevolence, vicious craziness and implacable resignations is one of the acting highlights of the year.”: - the independent on sunday - irving wardell: "'s hecuba reaches from troy to auschwitz." - the sunday times - john peter : “ is never the "tragedy queen" shrieking at fate: counterproductive in a small theatre. she says: "i am dead, i feel nothing," and her voice sustains this note of grim determination not to feel. . . .only at the end does mitchell's hecuba permit her feelings to show, relishing her victory over don warrington's treacherous polymestor." - evening standard - rick jones : “…the current programme notes intimate that euripides played hecuba in drag. one doubts he would have made as good a job of it as here, not least because he would have had to yell his head off throughout if athenians at the back were to hear anything at all. mitchell can afford to whisper, and she does. this has telling effect in contrast to the passages she screams. it's a fearsome portrayal of a woman clinging to her pride as a last dignity in the face of captors who are determined to stifle her spirit..." - city limits - matt wolf : “…playing a 'queen of tears' who is way beyond weeping, mitchell portrays a trojan ruler stripped of her city, her husband, her children; the actress inhabits the rending knife edge between fury and madness...lines like 'control yourself. you're a wild animal' are understated to the extreme - but it conveys hecuba's own seemingly rational surrender to extremes of irrationality…” - the guardian - claire armistead : “this, then, is a play about the distorting power of war - on reason, on passion, and on personality: hecuba, magnificently played by , is warped by her grief. but it is also about the power of language...mitchell, hollow-eyed and ugly in grief, allows torment to well up from somewhere deep in her chest, as if her voicebox has imploded: her performance is a painful reminder of the corrosiveness of suffering..." the rivals as mrs. malaprop at the nottingham playhouse, 1992, directed by james mcdonald 1992 - the guardian - pat ashworth: “she doesn't make mrs. malaprop a clown or a figure of fun: rather she's droll, endearing, slightly batty in a very english way but with the makings of a great lady." mrs. warren’s profession as mrs. warren at the citizen's theatre, glasgow, 1990, directed by giles havergal 1990 - the times - alasdair cameron: “…mitchell's mrs warren reverts to her native cockney accent with the subtlety and precise calculation which underlie everything she does. her performance throws new light on the character and universalises the relationship between mother and daughter. she is a mother, bad and demanding one...we can see clearly what shaw actually wrote: a drama about the power politics between parents and children as much as any critique of the hypocrisy of society." - the independent - randall stevenson: “… establishes a commanding stage presence for the corrupt but unashamed figure of mrs warren...frequent changes of manner and accent keep a menacing tension stretched beneath her surface sociability. apparent sweetness alternates with glacial hardness, convincingly characterising a figure torn between the tenderness she seeks with her daughter vivie and the rapacious energy required for unrepentant success in the international business of prostitution." - the glasgow herald - mary brennan: “…quite thrilling natural, relaxed, modulated performances from...and (mrs warren) provide a cogent perspective on those elements within our society which we have still to reconcile..." mary stuart as mary stuart at the citizen's theatre, glasgow, 1985, directed by phillip prowse 1985 - the times - holly hill: “'s figure of the tragic queen at the citizen's theatre makes this femme palpably fatale...daring to play stuart with a french accent...she gives mary the virtually irresistible charm of katherine in henry v." the white devil as cornelia at the glasgow citizens theatre, greenwich, 1984, directed by philip prowse 1984 - the guardian - michael billington : “ as cornelia has a lament for her dead son that is lyrically moving and when she summons flamineo with fluttering fingers, it stops the heart." - the observer - michael coveney : “two great walls, containing hinged doors and evocative of city streets, secret gardens and domestic interiors, dominate the stage. the actors are dressed in beautifully cut costumes. . . is outstanding as the bloodily dribbling mother of doomed sons." - the stage, peter heppic : “it is who most catches the eye as the mother cornelia, in a moving portrayal of grief and despair.” - the observer - michael ratcliffe: ". . gives the best performance of the night as the uniquely virtuous cornelia." the way of the world as mrs. marwood at the glasgow citizens theatre greenwich, london 1984, directed by giles havergal semi monde as ines at the citizens theatre, glasgow, 1972, directed by philip prowse 1972 - the guardian - michael billington : “mr prowse has created a retina-ravishing spectacle and from a large cast one must single out as a jealous lesbian. they have played coward and won." - the financial times - michael coveney: "inez, raspingly played by , berates cyril for taking singing lessons with corelli, quoting the unfortunate case of another of corelli's pupils - "poor griselda mencken, the most constipated carmen i've ever seen..." mother courage and her children as mother courage at the citizens theatre, glasgow, 1970, directed by robert walker 1970 - the arts guide - cordelia oliver : “… stamps a recognisably cockney image, both fierce and funny, on the woman, utterly materialistic and yet utterly human who hauls her canteen cart in the wake of the army through the thirty years war, losing her children to it but not her indomitable will to survive, and, wearing the ugly dress of the early 1940's she suggests the timelessness of the character. it is an outsize performance." the hero rises up as lady hamilton at the round house, london, 1968, written and directed by john arden & margaretta d'arcy radio - radio - productions gulf transmission saturday december 01 2007 by mark kotting directed by toby swift bbc radio 3, the wire starring as nan dracula transmission saturday november 18 and 25 2006 by liz lochhead directed and produced by marion nancarrow bbc world service co-starring as nurse grise and nisbett blame transmission friday august 12, 2005 at 21:00 directed by toby swift bbc radio 4 co-starring as joyce the good ship esperanza transmission tuesday november 23 2004, at 14:15 by david constantine directed by jeremy mortimer for bbc radio 4 co-starring as woman she hadda fly transmission tuesday may 13 1997 by julia darling produced by melanie harris for bbc radio 4 baboushka 1995 by nick warburton for bbc radio 4 a pig's whisper transmission tuesday january 30 1995 by dave dick directed by jeremy mortimer bbc radio 3 life & fate transmission sunday 18 and saturday 24 september 2011 by vasily grossman directed by alison hindell bbc radio 4 she's out - talking book 1996 by lynda la plante isbn 0-7531-0014-2 directing and writing - productions voices from prison 1982 - rsc platform - clean break theatre company devised & directed the river that ran away 1981 - clean break theatre company directed the sin eaters 1980 - clean break theatre company directed cathy come home 1980 - the barbican pit theatre, london adapted & directed sus 1979 - the soho poly & the royal court theatre, london directed ever after 1978 - the tricycle theatre, london directed co-written with cathy itzin go west young woman 1977 - the round house theatre, london co-dircted with susan todd she's out - talking book 1996 by lynda la plante isbn 0-7531-0014-2 the artists partnership 101 finsbury pavement london ec2a 1rs england tel: +44 (0)20 7439 1456 email theartistspartnership

URL analysis for annmitchell.net

artstheatrewestend.co.uk
uel.ac.uk

Whois Information

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Domain Name: annmitchell.net
Registry Domain ID: 56467096_DOMAIN_NET-VRSN
Registrar WHOIS Server: whois.joker.com
Registrar URL: http://joker.com/
Updated Date: 2016-01-31T10:28:29Z
Creation Date: 2001-02-01T06:01:04Z
Registrar Registration Expiration Date: 2018-02-01T11:01:04Z
Registrar: CSL Computer Service Langenbach GmbH d/b/a joker.com
Registrar IANA ID: 113
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +49.21186767447
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Registry Registrant ID:
Registrant Name: n/a
Registrant Organization: Sean Chiles
Registrant Street: Warmoesstraat 34B
Registrant City: Amsterdam
Registrant State/Province: Amsterdam
Registrant Postal Code: 1012JE
Registrant Country: NL
Registrant Phone: +31.652475921
Registrant Email: [email protected]
Registry Admin ID:
Admin Name: n/a
Admin Organization: Sean Chiles
Admin Street: 7 City Reach
Admin Street: 22 DIngley Road
Admin City: London
Admin State/Province: n/a
Admin Postal Code: EC1V 8BW
Admin Country: GB
Admin Phone: +49.1234578
Admin Email: [email protected]
Registry Tech ID:
Tech Name: Domain Registrations
Tech Organization: Tollon Limited
Tech Street: PO Box 144
Tech City: Arundel
Tech State/Province: West Sussex
Tech Postal Code: BN18 8DG
Tech Country: GB
Tech Phone: +44.2033277399
Tech Email: [email protected]
Name Server: ns2.eechost.net
Name Server: ns0.eechost.net
DNSSEC: unsigned
URL of the ICANN WHOIS Data Problem Reporting System: http://wdprs.internic.net/
>>> Last update of WHOIS database: 2017-07-15T23:55:51Z <<<

Query Time: 0.130302
Query Source: 45.33.85.57
WHOIS Source: joker.com live whois service


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  REGISTRAR CSL COMPUTER SERVICE LANGENBACH GMBH D/B/A JOKER.COM

  REFERRER http://www.joker.com

SERVERS

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DOMAIN

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NSERVER

  NS0.EECHOST.NET 217.69.32.4

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STATUS
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  CHANGED 2016-01-31

  CREATED 2001-02-01

  EXPIRES 2018-02-01

  DOMAIN NAME annmitchell.net

  REGISTRY DOMAIN ID 56467096_DOMAIN_NET-VRSN

  REGISTRAR WHOIS SERVER whois.joker.com

  REGISTRAR URL http://joker.com/

  UPDATED DATE 2016-01-31T10:28:29Z

  CREATION DATE 2001-02-01T06:01:04Z

  REGISTRAR REGISTRATION EXPIRATION DATE 2018-02-01T11:01:04Z

  REGISTRAR CSL Computer Service Langenbach GmbH d/b/a joker.com

  REGISTRAR IANA ID 113

  REGISTRAR ABUSE CONTACT EMAIL [email protected]

  REGISTRAR ABUSE CONTACT PHONE +49.21186767447

  DOMAIN STATUS clientTransferProhibited https://icann.org/epp#clientTransferProhibited

  REGISTRANT NAME n/a

  REGISTRANT ORGANIZATION Sean Chiles

  REGISTRANT STREET Warmoesstraat 34B

  REGISTRANT CITY Amsterdam

  REGISTRANT STATE/PROVINCE Amsterdam

  REGISTRANT POSTAL CODE 1012JE

  REGISTRANT COUNTRY NL

  REGISTRANT PHONE +31.652475921

  REGISTRANT EMAIL [email protected]

  ADMIN NAME n/a

  ADMIN ORGANIZATION Sean Chiles

ADMIN STREET
7 City Reach
22 DIngley Road

  ADMIN CITY London

  ADMIN STATE/PROVINCE n/a

  ADMIN POSTAL CODE EC1V 8BW

  ADMIN COUNTRY GB

  ADMIN PHONE +49.1234578

  ADMIN EMAIL [email protected]

  TECH NAME Domain Registrations

  TECH ORGANIZATION Tollon Limited

  TECH STREET PO Box 144

  TECH CITY Arundel

  TECH STATE/PROVINCE West Sussex

  TECH POSTAL CODE BN18 8DG

  TECH COUNTRY GB

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  TECH EMAIL [email protected]

NAME SERVER
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  REGISTERED yes

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